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The New Criterion
20 小时
Week in review
Suzanna Murawski on Simone Weil, an art heist & Picasso in Cleveland.
The New Criterion
1 天
An opera orchestra in Brahms
The Metropolitan Opera has gone dark for a month or so, but its orchestra is free to play—as it did last night in Carnegie Hall. The program was all-Brahms. It is good to be able to see these players ...
The New Criterion
2 天
Cry, uncle
This winter, the playwright Matthew Gasda, best known for his observations of New York’s disaffected Zoomer youth, has staged ...
The New Criterion
5 天
Mexican magic
Paul du Quenoy on a concert of the National Symphony Orchestra in Washington.
The New Criterion
3 天
Beyond the Assisi frescoes
Venerated in his lifetime, Saint Francis did not have to wait long for a monument to be erected in his honor. A basilica in ...
The New Criterion
10 天
New York chronicle
The choir sang Eben’s Prague Te Deum 1989. It premiered in April 1990, on the eve of a visit by Pope John Paul II. From the ...
The New Criterion
10 天
The medical outlook
She, too, was a writer, and she sent me a short piece that she had published in a medical journal, which I found to be of ...
The New Criterion
10 天
Maestro/Ambassador Muti et al.
Rosa Feola, the Italian soprano, does her part in advocating Martucci. (She is a favorite singer of Muti, by the way.) She ...
The New Criterion
10 天
The old gods return
After Warburg died in obscurity in 1929, devotees tended his flame. His memory was preserved above all within the research ...
The New Criterion
10 天
Cape Cod’s mermaid surrealist
When the ship’s crew cut into Crook Jaw, they found neither Devil nor mermaid inside, just heaps of yellow seaweed. As it ...
The New Criterion
10 天
Arising from the azure main
Jeremy Black on “The Price of Victory,” by N. A. M. Rodger.
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