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The New Criterion
1 天
Week in review
Suzanna Murawski on Simone Weil, an art heist & Picasso in Cleveland.
The New Criterion
1 天
An opera orchestra in Brahms
The Metropolitan Opera has gone dark for a month or so, but its orchestra is free to play—as it did last night in Carnegie Hall. The program was all-Brahms. It is good to be able to see these players ...
The New Criterion
5 天
Mexican magic
Paul du Quenoy on a concert of the National Symphony Orchestra in Washington.
The New Criterion
3 天
Cry, uncle
This winter, the playwright Matthew Gasda, best known for his observations of New York’s disaffected Zoomer youth, has staged ...
The New Criterion
10 天
New York chronicle
The choir sang Eben’s Prague Te Deum 1989. It premiered in April 1990, on the eve of a visit by Pope John Paul II. From the ...
The New Criterion
3 天
Beyond the Assisi frescoes
Venerated in his lifetime, Saint Francis did not have to wait long for a monument to be erected in his honor. A basilica in ...
The New Criterion
10 天
Maestro/Ambassador Muti et al.
Rosa Feola, the Italian soprano, does her part in advocating Martucci. (She is a favorite singer of Muti, by the way.) She ...
The New Criterion
10 天
The medical outlook
She, too, was a writer, and she sent me a short piece that she had published in a medical journal, which I found to be of ...
The New Criterion
10 天
The old gods return
After Warburg died in obscurity in 1929, devotees tended his flame. His memory was preserved above all within the research ...
The New Criterion
10 天
Arising from the azure main
Jeremy Black on “The Price of Victory,” by N. A. M. Rodger.
The New Criterion
10 天
Cape Cod’s mermaid surrealist
When the ship’s crew cut into Crook Jaw, they found neither Devil nor mermaid inside, just heaps of yellow seaweed. As it ...
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